Help us celebrate one year of Art in Ad Places by picking up an Art in Ad Places book. The book includes photos of every poster we've installed to date, behind-the-scenes pics of the team at work, thoughts on the project from every artist, photographer Luna Park, and co-curators Caroline Caldwell and RJ Rushmore. Available now and shipping worldwide.
Thanks to everyone who came through the Art in Ad Places show at LUCAS LUCAS this past week. It closed last night, but the love that everyone who visited showed was amazing, and it was the perfect opportunity to exhibit Luna Park's photos and launch the Art in Ad Places book.
Here are a few photos in case you couldn't stop by.
And you thought Art in Ad Places was over! We still have a few surprises left.
On January 26th, find us at LUCAS LUCAS in Williamsburg for an Art in Ad Places exhibition, and the launch of a book celebrating all of our ad takeovers to date. We'll have photos from Luna Park, books, a special installation with the help of fellow ad takeover activist Jordan Seiler, and drinks from Ilegal Mezcal.
We open at 7pm. See you there.
And if you can't make it to the opening, the show will be open through February 3rd.
Surprise! We've got one special bonus installation left before the new year. We cannot think of a message we'd rather be ending on than this piece by Faust, based on an Oscar Wilde quote.
Faust said, "Although this work represents the end of the Art in Ad Places campaign, I wanted share a message of resilience and optimism for the future."
Resilience and optimism. That's really the note to go out on. This is the end of a campaign, but not the end of our work. We don't know what 2018 will look like. We don't know what outdoor advertising is going to look like, or how we can disrupt it given the shift towards digital displays. So we’re going to take a breather and rest for a moment on this high note, because 2017 was a bit of a marathon. No more weekly updates.
The future is a chance for Art in Ad Places to evolve and take a more thoughtful approach. Maybe we’ll try out some bus shelters, or we’ll start reaching out to poets and scientists and game designers and neighbors to see what they want to put in place of ads. Maybe we’ll finally run a few workshops to train a new generation of ad takeover activists. If you have ideas, we’re all ears.
Faust's work marks the end of a campaign, but things are not yet fine. There's more to be done. And besides, fucking with the advertisers feels too damn good.
Well, here it is: ad takeover #52 of 52 comes from Heather Benjamin. We have a few more surprises coming your way soon, but we made it to the end of the year. Art in Ad Places started as a daydream, and it's ended up taking over our lives for a little while (in a good way). The marathon is over, which is a nice feeling, but we'll have more news soon on where we go from here.
One last time, here's what this week's artist, Heather Benjamin, has to say about the importance of public art, and how we move through the world:
“I think it’s easy to experience a sort of tunnel vision when you’re running around in the city, it can be a kind of natural response to all the over-stimulation. But that can cause you to miss things going on around you that could be fresh opportunities for critical thinking or raw emotional reactions. Those could be moments where you might begin to think about something in a different way, or feel inspired, and at a basic level have a visual experience really resonate with you in some way. Public art is one of those things that can jolt you right out of your comfort zone and turn everything upside down for a few minutes, while you try take in and wrestle with something you weren’t expecting to see. And I think having that experience on a regular basis is an important part of feeling connected to the humans around you and their lives and emotions and experiences, how you can relate to them. That’s why I’m psyched on the Art in Ad Places project and excited to be a part of it, it’s actively creating spaces in the city for those moments to happen. We need more of those opportunities and less visual stimuli that are just meant to force us into more consumerism.”