Everything in Its Right Place

Artwork by Jeff Soto. Photo by Luna Park.

Artwork by Jeff Soto. Photo by Luna Park.

Jeff Soto told us that his contribution to Art in Ad Places "would never be used to advertise anything." All the more reason it should be used to replace a mini-billboard. Generally speaking, the images and messages that most valuable in public spaces are also the images least likely to be used as advertising.

Jeff said,  "I chose this image because it would never be used to advertise anything. It’s really hard to sell anything with images of death, and I made sure there was no wording or even my name on it. It is an anti ad. I’m hoping this image looks out of place enough that a few people will take a second look. People interpret my work differently, and I encourage that, but despite the sometimes creepy imagery, most of my art celebrates life and positivity. I would love this image to give viewers pause or to inspire a young artist. We’re subjected to unwanted advertising everywhere, all day and I LOVE the idea of reclaiming these advertising spaces as art spaces."

And actually, Jeff had already inspired the Art in Ad Places team, long before his poster went up. He was one of the first people to know about the plans for what would eventually become Art in Ad Places, before there was a website, a name, artists attached, even a fully-formed concept. His early encouragement, over late-night tacos, was invaluable. We wondered what artists would think of our marketing campaign against advertising, especially artists whose work isn't often explicitly political, or who do work with brands from time to time. Jeff embraced the idea, was excited by it. That inspired us, kept us brainstorming. So, this week we say thank you to Jeff Soto, for being an early champion of Art in Ad Places, and for contributing such an arresting piece.

Artwork by Jeff Soto. Photo by Luna Park.

Artwork by Jeff Soto. Photo by Luna Park.

Searching for Jeremyville

Find Yourself by Jeremyville. Photo by Luna Park.

Find Yourself by Jeremyville. Photo by Luna Park.

There's a place, and it's just a fantasy but it's one work striving for, where everything is okay and we're all good to one another. It's the world of Jeremyville's illustrations. It was interesting to install one of Jeremyville's iconic Community Service Announcements on the street, because they belong to that other world. But that's so much of what Art in Ad Places is about: Changing public space to temporarily create a different reality. So it's weird to experience, but it's also a perfect fit for Art in Ad Places.

Jeremyville told us:

"The Jeremyville CSA project comprises of about 1,200 Community Service Announcements that I have created over the years, and I draw new ones almost every day, and add them to social media @Jeremyville. They've spread organically, using design methodology cues taken from billboards to get a message across quickly: A simple, arresting image, and some short copy.

"So the advertising billboard is the perfect forum to share a CSA message, as rather than selling hairspray or soap, we can use these mediums to remind us about personal growth, empowerment and social change. Art in Ad Places really aligns with the CSA concept perfectly.

"Find Yourself is a play on telephone pole posters announcing a missing dog or cat. In this case, Jethro Bunny tears off a piece of his own missing poster, essentially for us, so that we can take one footstep along the path of that journey of self discovery."

What will you discover when you find yourself in public space, rather than unattainable ideals of consumer culture?

Bringing Back Old New York

Original photo by Martha Cooper. Installation photo by Luna Park.

Original photo by Martha Cooper. Installation photo by Luna Park.

New York is always in a state of flux. Restaurants come and go. New condo buildings practically appear overnight. People leave the city. Others arrive. Even the city streets get remade. Martha Cooper's photo for Art in Ad Places captures a few of those changes between 1980 and today, the most icon being the Twin Towers.

Martha told us:

"I took this photo c.1980 while driving around Soho. Back then I often used my car to get around the city when on photo assignments, my camera at the ready beside me. The pair of motorcyclists together with the pair of towers was a sight too good to be true. I slammed on my brakes, jumped out and grabbed a few frames.

"Sidecars are exceptionally rare in New York City. I don't think I’ve ever seen another one. Looking at this photo today, I’m overwhelmed with nostalgia. The vintage motorcycle riding on cobblestones (more accurately Belgian Block) of course evokes earlier eras but could I ever have imagined that the only way to see the Twin Towers would be in a photograph? Thanks to Art in Ad Places for giving us evocative images to think about instead of to shop for."

We tried to find the exact spot where Martha took this photo, 30-some years ago. We have some guesses, but we couldn't quite place it. Belgian Block is disappearing and buildings have changed. New York is still beautiful, but it's different, so it's nice to bring back a bit of the recent past.  Particularly today.

Original photo by Martha Cooper. Installation photo by Luna Park.

Original photo by Martha Cooper. Installation photo by Luna Park.

Making Space for Mental Health

Artwork by Candy Chang. Photo by Luna Park.

Artwork by Candy Chang. Photo by Luna Park.

As we've said from the start (not that we were the first to say it), advertising is bad for your health, particularly mental health. We would love to see public spaces without advertising, to stop the harm. This week Candy Chang takes us one step further.

She told us:

"You can tell a lot about a city by its public spaces. Our sidewalks, squares, parks, and civic structures are for everyone, yet take a quick look at the public messages on display and it may seem like we only care about sexy beers and fruity shampoos. I'm happy to be a part of Art in Ad Places because public messaging should not just be reserved for the highest bidder, it should reflect what we value as human beings.

"Among the many aspects that determine our overall health, mental health is often neglected and taboo to discuss. I’ve been interested in presenting responses from the Before I Die project back into public. This response came from the Before I Die wall in Downtown Brooklyn and it always hits me where it matters. Our public spaces can play a profound role in our well-being and kinship if we give it the space it deserves."

What if every pay phone was turned into a Before I Die wall? We'd probably be having a lot more conversations about mental health, and a lot more people feeling empowered to act on their dreams. What if we turned pay phones into scribble walls? We'd probably have more artists and a generally more creative society. In either case, we'd learn something about our neighbors. Whatever the exact form, let's turn these spaces over to the public. Let's get rid of the beer ads and make space for something that actually matters.

Artwork by Candy Chang. Photo by Luna Park.

Artwork by Candy Chang. Photo by Luna Park.

How Do We Escape Control?

Artwork by Hugo Gyrl. Photo by Luna Park.

Artwork by Hugo Gyrl. Photo by Luna Park.

Let's jump right into Hugo Gyrl's thoughts on their piece and this project, because they bring up some ideas that we haven't really addressed yet...

"This image represents the feeling of the world exploding, full of balloons, distracted by phones, and held together by chains and pearls. Queer identity, our society's obsession with constant communication, and current events fueled by madness.

"Advertising is one-dimensional corporate influence. It mostly has a goal of encouraging you to buy more product, change your image or download the newest data-collecting app. Public art (murals, sculpture, etc) is largely advertising for the buildings/businesses funding them. Those businesses don't want to offend or take much risk. Graffiti is illegal which can limit the time spent on it. So when do we get to hear/see ideas not controlled by these parameters? Projects like Art in Ad Places.

"Throw some emotion and color on these streets." - Hugo Gyrl

This point about limitations is an important one. Honestly, we're not sure that Art in Ad Places and projects like it are the solution, but if we can play a small part... fantastic. Perhaps the best definition of street art is curator Pedro Alonzo's: "At its core, street art is the unmediated distribution of art from artist to public." Well, graffiti is mediated by the limitation of time. Advertising, even "artist collaborations" with brands, are mediated by the objective of selling a thing that you almost definitely don't need to buy. Even public art is limited by the concerns of funders and supporters. A city isn't going to commission a sculpture celebrating its mayor's greatest rival. A developer isn't going to fund a mural that is genuinely critical of gentrification. So what do we do?

This is just one more reason that we should turn over our outdoor advertising spaces to the general public. Make them a near free-for-all (while banning commercial advertising and hate speech), and then the messages we see won't be controlled by funders or governments or anything except our time and our imagination. But sure, until then, we'll keep doing what we're doing to create little glimpses of that world.

Artwork by Hugo Gyrl. Photo by Luna Park.

Artwork by Hugo Gyrl. Photo by Luna Park.